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Went camping (we stayed in a cabin) a few weeks back for a night with some friends, took some pics with a Pentax MG (50mm 2.0) and Mju ii, on Kodak Ultramax 400. Sorted out through the pics and picked the ones I liked, did some cropping and light adjustments. Enjoy! Or not. Open to CC for sure.

Starting with the Olympus. This was before my friend's cousin made us look like idiots and got some twigs to get things going. Honestly the Olympus can be fun but for me it's been too much of a hit or miss, these are my least favorite photos I think.

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The rest will be from the MG. 50mm is probably my favorite focal length.

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Quote: "A man defeated by his own comfort"

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Long exposures aren't really my thing. Composing them is hard and I think, since I shoot them wide open, they come out softer than I would like. But any way we throw fireworks in the fire.

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Was trying to do some nature photography, but this didn't come out very good in color so I just played a little with B/W sliders and this came out, which is pretty neat and maybe have potential in the future.

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This was when we had departed from my house on the first day. The mirror fell off as soon as he pulled out of my driveway.

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Gorilla Glue

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Upon arrival

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Good stuff, man.
I like these in particular:
>>3495870
>>3495882
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I noticed some slight hazing/fogging in the upper portion of this image, to the left of my friend here. Hopefully not a light leak.

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>>3495888
Thanks anon!

>>3495891
To clarify it starts on the lower right outermost branches of the tree on the left, going upwards into the opening above the river, then gradually fades out towards my friend. A subtle change in brightness.

This here was after we had gotten back home; went to see Zion's old decommissioned nuclear reactor from the beach (Illinois State Beach Park), it was super foggy so we couldn't see it, but somebody had built this structure close by.

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Last one. Forgot why he said he put flames on his key, but it was really funny. Milwaukee Ale house, good place (though service made quite a hiccup).

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Something experimental before I head to bed, more tomorrow from some B/W rolls.

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>>
on the one hand, these have merit as a personal diary. on the other hand, these are the same old photos that literally every 22 year old with a shitty hand-me-down 80's slr and some cheap print film shoots. i shot them 12 years ago, someone else will shoot them 12 years from now, sun rise, sun set.
>>
>>3495916
>these are the same old photos that literally every 22 year old with a shitty hand-me-down 80's slr and some cheap print film shoots. i shot them 12 years ago, someone else will shoot them 12 years from now, sun rise, sun set.

truth

these are essentially stock photos in hipster film form. nothing at all interesting and unique about them for someone that isn't you or one of your friends
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>>3495872
>>3495875
>>3495893
>>3495894
>>3495864
>>3495857


This stuff kinda works, with sunglasses portrait being the best of the lot by a far cry. Actually a very good shot.
The rest of the portraits feel a bit forced, subjects are posing too much, are aware of the camera too much and aren't captured when unawares. Long exposure are both decent execution, but could be improved by being tied up with a subject. Leaf shot is out of focus, which is a big no no. Billboards are telling a story, but feel a bit of an afterthought. And I'd really like to see the cop on that bike. On second though, I quite like that fort with a flag as well. Second best.
And this one pains me quite a bit by it's framing;
>>
Love it. Reminds me of old vacation photos from my youth, a theme I may explore later this year in December.

Fun fact, back before MJU IIs were hipster-taxed into oblivion I sent one off on /p/ for an American Traveling Camera and lo and behold, someone kept it.
>>
>>3495872
Looks like Hakkinen
>>
>>3495916
Thanks a lot anon! Refreshing to hear that sort of thing.

>>3495927
>Stock photos

Wondering if you could explain that?

>>3495942
Thanks anon, but I'm going to have to disagree with that. I'm not really into the whole candid thing of capturing people when they're unaware (how could I even do that here in the first place without getting mostly back photos?), and even though everyone was aware that I had a camera, they weren't really uncomfortable with it nor did they pose very much (except for the hammock shot and flaming key shot obviously); they were all quite spontaneous regardless as it was all pretty fun. Although I had told my friend as he was lying down on the deck that I was going to take a picture, this was exactly how he looked both when I asked and for a couple of minutes after - it was quite a quick and natural shot, nothing awkward at all. He was on acid so just lied down like that and was smily.

There was never any effort on my part to direct my friends, so I don't understand how posing or awareness could be "too much" here. The flash photos were also spontaneous; my friends were surprised whenever I had taken the photo, except the one who only raised his hand when he fell back in his chair drunk as a skunk.

I'm wondering why you say the billboards seem like an afterthought?

As for that crop, in my opinion the way you would frame that shot is cliche and unbalanced. I'm not into that composition at all.

>>3495949
Thanks Sugar!

Dumping more after breakfast.
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400, Minolta X-700 w/ 28mm.

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File deleted.
>>3496039
400TX***

Wormy

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One of my friends was metal detecting and he really didn't find much.

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>>3496040
Forgot to resize Wormy

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After metal detecting I asked my friend if he could drop me off at a cemetery a ways from home so I could go on a walk; I've been researching my area (which is quite boring) and have been taking photos that I hope to eventually put together in a book format (not necessarily what you see here), trying to find whatever remnants of (a limited) history that I can, while also of course bringing in things from the present to counterbalance the relative lack of rich history. Might take a few years and lots of photos to go through and weed out. Hopefully at some point I can begin to get good portraits too.

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Here I was trying to see if I could make this huge bag filled with whatever seem like some sort of organic, living mass. Didn't get there but I'm posting it any way.

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>>3496053
There was a $25 Amazon gift card in that envelope, with a simple card that said: "Thank you for keeping me safe", signed by Ethan M.

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>>3496051
Everything after this one was taken with a Pentax SP1000, 50mm 1.4, 100 T-Max

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>>3496014
>>Stock photos
>Wondering if you could explain that?

They're simplistic with no substance imbued onto them by you the photographer. Again, great for your memories and whatever...but as a random person who doesn't know you or any of these people these photos do absolutely nothing for me. They just snapshits.

Now, I'm not saying photos can't be personal and at the same time approachable to a random viewer. They certainly can. Your photos just aren't at that level.
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Will post more later from the X-700 w/ 28mm again.

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>>3496061
Thanks for clarifying anon.

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Being guns next time, and this is would be an interesting mix between /k/ and /p/
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>>3495855
>using gas
>to start a fire
>when you're surrounded by leaves
thank you for proving tripfags are retarded yet again
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>>3496220
Aren't we all? Lol.

Near the aforementioned nuclear reactor.

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Okay! That's it for now.

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>>3496014
>There was never any effort on my part to direct my friends, so I don't understand how posing or awareness could be "too much" here.
People, when they are aware of being filmed, photographed or even observed start acting differently. They tense up, think how they act, or alter their behaviour. It's natural occurrence. You can play it out by forcing this subject, actually going after it, or trying to negate it. Not going to tell you how to do that, people have talked about it extensively. By trying to casually document your escapades, you're doing nether and are ending with predictable cliche footage.
>Although I had told my friend as he was lying down on the deck that I was going to take a picture
This confirms it. You need to start taking true unsuspecting candid shots, or go for a cold frontal documentation.
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>>3496294
Yes, people often act differently when they're aware of being filmed etc., but my friends know I have a camera with me basically all the time and so they often don't really change their behavior. If my camera prevents them from doing bad things, then good on them actually, but then again some of my friends don't really care. It varies from person to person, and often I don't take a picture when I see them tense up a lot or alter their position for the camera. For instance, in the key photo my friend was not just altering his expression, but he was playing with it - after I had taken the photo. At the beginning it was just a natural smile and he found it funny how I was taking the photo. That's something I'm totally cool with because it's totally real and uncontrived - it was a good time. As for my friend tripping: I've been there, I know what it's like to trip. It's quite possible that even if I hadn't been there, he would have been doing this. He was enjoying the moment.

If people were uncomfortable with my camera, then that would change everything. You'd get super awkward photos and portraits. You weren't there, so how can you say how much they were acting for my camera in every shot?

I'm not going to take up more candid photography under the pretense that it's more truthful, because photography is quite rooted in subjectivity; secrecy would only change its flavor, and in my opinion secrecy a bad habit for photographers and people in general. It would make people uncomfortable to see me with my camera, because "why do you want to take my picture and why don't you want me to know?". Besides that, you have the challenge of hiding an SLR, and so your photo opportunities are limited. I'm not against candid photos (pic related, Chicago) - but I'm not interested in limiting myself to it. I'm more interested in what happens when my subject is a natural participant. Check out Mark Steinmetz.

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>>3496294
But if all you're saying is that I should do more candid photos as opposed to being just casual, then sure, I agree. That's a skill that'll take some time to develop. I'm just not interested in going super secretive which can breed its own cliches while also potentially damaging relationships.

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>>3495916
This is definitely true but that's not necessarily a bad thing. I think there's something really comfy to just everyday stuff captured on (analog) pictures cleverly- like memories you make with friends.



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