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File: c_46-.jpg (30 KB, 513x720)
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you have 10 seconds to post your favorite photographers
>>
>>3377154
I like myself the most.
>>
>the one you have with you
>>
>>3377154
>Klein
>About 10 good photos in his whole career
>>
>>3377160
same
myself is such a great photog
>>
File: Prague.jpg (1.58 MB, 2848x2136)
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Maybe David LaChapelle,
he's experimented more with the medium than most.

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>>
>>3377164
favorite doesnt imply its the best.
>>
>>3377170
nuh uh myself is the best
>>
File: P79948_10.jpg (107 KB, 1536x1440)
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>>
File: m197200150006.jpg (232 KB, 744x504)
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>>3377286
And
>>
>>3377287
And
>>
File: ren-hang-05.jpg (143 KB, 1500x1013)
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Ren Hang
>>
>>
Jeff Wall

[EXIF data available. Click here to show/hide.]
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>>
Obi Wolf
>>
File: Salt-900x580.jpg (218 KB, 900x580)
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>>3377154
>>
File: 1522019868824.jpg (791 KB, 1080x1359)
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>>3377154
>>
File: friendly fire.jpg (109 KB, 511x765)
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>>
>>3377154
elsableda
mary_wolf

all i could remeber at 9 ses so let it be
>>
>>3378195
lol, you'd say any photographer was your favorite if they took a picture of that person wearing that posing like that in a random ass place. give a little more credit where credit is due when it comes to your photolust
>>
>>3378406
It's the only good photo by that photographer, and the only good photo of that model. The stars aligned, I guess.
>>
>>3377154
isi and Sugar
>>
>>3378418
I was so happy when I heard they were getting married.
>>
File: untitled.jpg (92 KB, 600x598)
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Susan Lipper
>>
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Stacy Kranitz
>>
Charles O’Rear
>>
Sally Mann
>>
>>3378419
stop rubbing salt in moopco's wounds
>>
>>3377289

is this dildo moronyama?
>>
>>3378195

This guy's entire portfolio is basically softcore pornography and he's clearly trying to ride that to the bank.
>>
>>3378494
Araki
>>
>>3378165
ah, someone who is not a retard... nice.
>>
>>3380748
but he's a basic bitch
>>
>>3381758
I'm pretty sure you're on the wrong board.
>>
Older: Araki, Moriyama, Nakahira, Fukase, Tomatsu

Newer: Mermelstein
>>
>>3381764
I'm pretty sure you don't understand the picture I responded to
>>
>>3381771
Yup, you're definitely on the wrong board.

>>>/r9k/
>>
>>3377154
fuck off zoomy
gtfo with this gay shit
>>
>28 posters only
I swear nu-chan have no fucking taste
>>
File: TERRYBIBLE studies.webm (1.8 MB, 480x320)
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>>3377154

\m/
>>
>>
>>
>>
>>
>>
>>
>>3377154
Anton Gursky
Jeff Wall
Stan Douglas
>>
File: Boonk & 新田桂一.webm (1.89 MB, 480x320)
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1.89 MB WEBM
>>
>>
uncle

T~Bone

all

the

bloody

way

\wm/
>>
>>3377154
clark
>>
>>3384401
Larry clark?
>>
>>3384410
No, Barry Clark.
>>
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>>3384412
you just fucked my shit up homie
>>
>>3384412
who?
>>
File: N.Araki 3.jpg (41 KB, 740x499)
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N. Araki
>>
>>3384690
not dirty enough
>>
>>3384150
who's this?
>>
>>3384690
Hey I have Tokyo Lucky Hole on my desk right now. great inspo.
>>
>>3384150
based Terry poster
>>
Eggleston
Rinko Kawauchi
Shoji Ueda
>>
>>3378195
Awful

>>3378165
>>3384976
>>3384690

This

+

>Teller
>Richardson
>Danny Lyon
>Sally Mann
>Araki
>Harley Weir
>Chadwick Tyler

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>>
Nachtwey
>>
>>3377167
I'M RICK JAMES, BITCH!
>>
>>3378195
cringe
kys you tasteless faggot
>>
>>3377170
4u maybe
>>
>>3385150
>>Teller
>>Richardson
>>Sally Mann
>>Araki
>>Chadwick Tyler

THIS

/thread
>>
anon
>>
>>3385668
wh0?
>>
Witkacy for sure

[EXIF data available. Click here to show/hide.]
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>>
>>
>>
File: 145_0.jpg (382 KB, 1145x887)
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>mfw this board has normies taste

Pic related, my favorite.
>>
>>3385915
>normie
lmao

also good pick
>>
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>>
File: davidson.jpg (185 KB, 1484x995)
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bruce davidson
>>
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alex webb
>>
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sebastião salgado
>>
>>3377167
Still life. He's a flower arranger.
>>
>>3385929
>>3385925
>>3385923
they live in the EU?
>>
>>3385150
>them fingertips
>>
>>3386654
Sebastiao Salgado is Brazilian, but he is probably living anywhere but here atm
>>
>>3386654
Bruce Davidson and Alex Webb live in America.
>>
>>3386668
He lives in Paris and has French citizenship.
>>
William Eggleston, closely followed by HC-B

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>>
>>3377154
Peter Parker
>>
File: PAR93487.jpg (374 KB, 1053x704)
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>>
Cartier Bresson, Kertesz, Doisneau, Erwitt, Penn, Eugene Smith because he was nuts, Jeanloup Sieff because wide angle butts, Frank Horvat, Arno Minkkinen, Ezra Stoller because modernist architecture, Gabriele Basilico, Gianni Berengo Gardin because I like cheesy pasta
I cheated, it took me more than 10 seconds
>>
Koudelka
>>
>>3388698
Who took this? I love it.
>>
>>3388763
JFC lrn2exif newfag
>>
>>3388764
I’ve been on this board for over a decade and this is the first time I have ever encountered useful information in the exif data of a film photo someone posted here.
>>
>>3385150
you have absolute shit taste
>>
>>3386681
>>3377167
>>3378452
>>3381769
>>3388716
>>3388738
plebs

>>3378427
>>3378426

good taste
>>
>>3389166
>>3389167
>post names that people can check out and form their own opinion on? Nah, better point out the plebs guided my superior taste

Philip Jones Griffiths, James Nachtwey, Dmitri Baltermants
>>
File: owned.jpg (42 KB, 800x649)
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>mfw i haven't been mentioned
shit taste. all of you.
>>
>>3389186
>warfag waving his dick high
when you're going to rojava just to get shot by isis?

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>>
File: smokeyellow_2149.jpg (204 KB, 1600x1106)
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>no Joel Meyerowitz
wtf guys

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>>
>>3389238
>>
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>>3389238
>le youtube recommendation-core snapshiter
lmao you massive fucking pleb
>>
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>>3389241
>>
>Ernst Haas
>Keith Carter
>Saul Leiter
>Sally Mann
>Gregory Crewdson
>>
>>3378177
>Jeff Wall
underrated.
I only wish that he printed his work in A3 size, instead of huge prints. I feel like his work is subtle, and doesn't work as well in huge displays.
I guess they probably sell for more at auction, but otherwise it would feel better in a smaller frame.
>>
Cathleen Naundorf

Also Gunnar Freyr, because I'm basic pleb
>>
File: araki_yakuza_1994.jpg (55 KB, 500x392)
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Nobuyoshi Araki & Fan Ho
>>
>>3391788
Fan ho is amazing. very under-rated
>>
>>3389186
Im not spoonfooding you faggot

LOL who actually likes Natchwey
>>
>>3392645
He has his moments.
>>
I just like individual shots by people...mostly of people. Even absolute hacks have their day.

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>>3377154
this alpha god!
>>
>>3392767
based

lmao'ing @ jannies for getting triggered by Uncle threads
>>
>>3392769
lmao @ you for getting triggered by the thread getting deleted
>>
>>3392776
>getting triggered
when did that happened
>>
>>3377154
He takes really interesting pictures
>>
File: Mikiko Hara.jpg (613 KB, 770x768)
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Mikiko Hara, she's one of the only photographers that ive seen create a really unique look for all her work

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>>
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>>3392810
Another one. I think she's the best Japan based photographer , in fact, I think she's better than Daido.....................

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>>
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>>3392811
>>
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>>3392811
>I think she's better than Daido
*SNAP*

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>>
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Arthur Fellig
>>
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>>
Josef Sudek

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>>
>>3394655
>meme early 20th century snapshitter
lmao your taste is a bad joke
>>
>>3394653
I like the colours
>>
>>3394663
Thanks anon, I like him too. Have another.

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>>
>>3392816
But she IS better than Daido
>>
File: beksinski.jpg (48 KB, 425x550)
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Beksiński. He's famous for his paintings, but his photos were pretty cool as well.
>>
>>3389167
>I am the God of photography!
>>
>>3394663
As if some incel and his uneducated opinion matters. Photography envy.
>>
On instagram

felixrachor
fabzblack
schnaps_und_schuss
lichterspiegel_foto
Alexaudigier...

Myself
mssarahmr :P
>>
>>3395028
>t. pleb who fell for LF space and light beams entry level meme.
shaking your peepee on everything from past is very peepee poopoo
>>
>>3390464
I agree if you're standing just a few feet away from the huge prints but if you've got enough distance to them and they're mounted in lightboxes than they really do give off that "damn son" feeling.

I might add Harry Gruyaert and Dmitry Markov.
>>
>>3395080
>Harry Gruyaert
based
>>
>>3395081
because?
>>
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>>3395083
I think that Harry is up there with Saul, Egg, Ernst. but yet he is so fucking underrated
Harry combined those traditional street elements with colorist vision thought his very own style and laid a new foundation for new age color street photographers.
what Saul, egg ,luigi and Ernst did was much more abstract and conceptual.
Harry presented the Bresson/French school of street photography in color. and I am not saying that he copied anything from them but the way he use compositional elements, colors, geometry, space, balance, being invisible and decisive moment is fucking genius.
his use pictorialism elements in street and in his photography generally is absolutely beautiful, pic related.

also his TV Shots series is very underrated too

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>>
>>3378225
Why do pornographers hire the shittest photographers? Sometimes you click on a thumbnail (not that one) thinking, damn let me get a closer look and when that image loads, its all out of focus.
>>
>>3395314
I think most people watching porn aren't doing so to analyze the dialogues or the montage. Technicalities aren't such a concern overall.
>>
>>3394711
I had sex with a girl in college who looked just like this. She was an exchange student from Hiroshima.
>>
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>>3377154

Don McCullin

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>>
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>>
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>>
!!!!!!!!!!please let everyone know that Uncle forced Kirsten Dunst to spread her legs for McInnes:
http://terrysdiary.com/post/745619699/mekirstengavin-and-justin
>100% proof!

http://terrysdiary.com/post/70595887567/gavin-being-a-model-citizen
>>
Martin Munkácsi's work is the only photography to put me in awe
>>
>>3395812
You fucking cocksucker tricking me into enjoying the writing of an alt-right fuckwagon. Rude!
>>
>>3395812
>>3395810
I’m liking this, where can I read the whole thing?
>>
WHEN IT CAME TO PHOTOGRAPHY PAY, RICHARDSON USED TO BREAK RECORDS:

=========================================================================
Lee Jeans' controversial "Lolita" ad poster for spring-summer 2006 has been found acceptable by the Advertising Standards Board.

Shot by renowned US photographer Terry Richardson, the advertisement - shown in locations including Toorak Road, South Yarra - featured the standard cliches of the soft-porn aesthetic: lollipop being sucked, breast half-exposed, legs spread.

Groups including Australian Childhood Foundation had expressed outrage about the advertisement.

"The clothes can hardly be seen," wrote one complainant to the advertising industry's self-regulator. "This type of ad demeans women."

But while the board acknowledged "there were sexual overtones in the pose, and her consumption of the lollipop", it said that a degree of sexuality in advertising was not unacceptable.

"The board (notes) that the woman is over 18, is fully clothed in attire that is fashionable amongst young women for summer, and that there is no nudity," its determination said.

"The board also (notes) that consumption of this style of lollipop is now common amongst people over 18."

Lee is believed to paid Richardson, 41, $200,000 to shoot its spring-summer campaign - roughly 10 times what an Australian photographer would earn for the same campaign. If it was paying the provocateur for controversy, its investment was rewarded.

The denim company described its campaign as a "tongue in cheek, kitschy and over-exaggerated portrayal of classic denim poses".
http://www.theage.com.au/news/national/lees-lolita-ok/2006/10/04/1159641365538.html

=====================================================================

http://forums.thefashionspot.com/showpost.php?p=2658955&postcount=247
http://www.harmony-korine.com/forum/search.php?keywords=+roughly+10+times&t=196
>>
>>3377167
looks like shit
>>
>>3378195
boring as fuck
>>
>he has make like 5 million in his entire career

$58 million a year:
https://petapixel.com/2013/08/15/terry-richardson-says-he-stands-to-lose-hundreds-of-thousands-in-gaga-case/

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>>3384150
>>3384153
>>3384154
>>3384156
>>3384159
>>3384160
>>3384161
>>3384163
>>3384165
>>3384166
the reason why photography isn't taken seriously
>>
>>3397321
found the jellyWEJ

in all of the history of \p\ not even 1 ptard comes close to topping the art of a legend like T~Bone

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>>
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>>3396912
Gavin talking about Terry & Vincent Gallo https://youtu
.be/7vqF2RV-eJk?t=3m26s

in that video Gavin is referring to this:
http://www.unz.org/Pub/AmConservative-2003aug11-00019
https://rob.irulethe.net/hip-to-be-square/
>Suddenly it had become fashionable to link liberalism with weakness and conservatism with honesty. Underground film iconoclast Vincent Gallo (“Buffalo 66,” “Palookaville,” “Goodfellas”) is now quoting Nixon and Reagan as if they were Wordsworth and Yeats. Fashion photographer Terry Richardson (Gucci, Sisley, Levi’s) is showing up at conservative book launches and publicly trashing Clinton.
>>
'Terry always did his own thing,' says Stephen Male, recalling those early days. 'I remember when the contact sheets came in for the Levi's shoot we did, every single one would feature a photograph of the model with her top off. I remember thinking, "How did he do that?" I mean, it wasn't really what was required for the shoot. Then it became Terry's thing. It seems almost quaint and old-fashioned now that we'd find it questionable. But that's fashion for you. Once somebody pushes the envelope, it doesn't take long for taboo images to become acceptable. Plus, fashion needs people like Terry; it needs to feel it has an edge all the time.' Terry, unsurprisingly, concurs. 'Hell, somebody's gotta come up once in a while and say bollocks to all that mainstream, glamour stuff.'
>>
=================================

John Waters:
I heard that Terry Richardson was doing the photo shoot for this piece. Did you see his book, Terryworld? Did you look through it? And are you going to show your dick in this photo shoot?

Johnny Knoxville:
Uh, Terry might already have some photos of that! [both laugh]


John Waters:
What luck for the editors of GENRE! Well, Terry’s is a great book. He always shows his own dick! It seems like he’s the only photographer who, judging from his book, shows up nude with a hard-on to take your picture. That’s a refreshing new twist, I guess, in a shoot.

Johnny Knoxville:
Yeah, he’s got a monster cock on him, for sure. And his assistant, Keiichi, will stand there with his cock out, playing with it, while Terry’s shooting.

==========================

https://web.archive.org/web/20060117030549/http://www.genremagazine.com/2005/7-1/magazine/content/knoxville.cfm

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>>3377154
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"Soon, the shoots got wilder, and often Terry's assistants, Seth and Keiji, had to be on hand to take the actual pictures. 'I always say I make pictures rather than take pictures,' explains Terry."

“The goal is to get the best image possible, and if that means that somebody standing off to the side gets a more candid shot than me, then I’m all for it,” Richardson laughs. “Which doesn’t always make my clients happy if I’m working on a job, but the way I see it, it really doesn’t matter who is actually pressing the shutter, because they’re my images. It’s a picture that I’ve created. I don’t work off lights and angles; I work off emotions. A mood that I create.”

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>>3397321
>the reason why photography isn't taken seriously

http://archive.nyafuu.org/p/thread/3386743/#3391851
how are those masterpieces NOT taken seriously??????
>>
steve O ~
""In the summer of 2004, I was in the back of a cab, riding through New York City, when my cell phone rang. It was Knoxville. “Hey, I’m at Terry Richardson’s studio,” he told me. “He wants to do a bukkake shoot and we’re just a few cocks short. You game?” Bukkake, for the uninitiated, is when several dudes shoot their loads on one girl. Of course I was game. Terry Richardson is a famous—or, perhaps, infamous—photographer known for his extremely risqué, sexually graphic photo shoots. I’d met him the year before when he shot press photos for the Lollapalooza tour. We’d hit it off pretty well. When I arrived at his studio that afternoon, Knoxville immediately made it clear that he, personally, wanted no part of this photo shoot. When Terry explained the concept to me, I understood why. He wanted a photo of me pulling a girl’s hair while I shot a load on her face and someone else pointed a gun at her head. Knoxville later told me he had no idea a gun would be involved. Regardless, the whole thing sounded fine to me. The girl in question was a young-looking model—I was assured that she wasn’t too young—and soon she went to work giving me a blow job.""
>>
>>3397452
""I had her hair in my hand but having someone holding a gun to her head was really throwing me off. As I’ve said, I’m quick on the draw, but something about a dude holding a gun was not particularly arousing. We devised a solution: once I reached the point of no return, so to speak, I’d call for the gun to be brought into the frame. So that’s how I came to be yelling “Gun! Gun! Gun!” one beautiful summer afternoon in Manhattan as some dude brought a pistol to the head of a young model whose face I was about to cum on. I know: classy. Later that same night I met a gorgeous Danish model named May Andersen. Knoxville knew her somehow and brought me along to her birthday party at the Gansevoort Hotel. He introduced us, we got fucked up together, and I spent that night with her in her hotel room. May was only twenty-two but already a reasonably big deal in the modeling world. She’d been in Victoria’s Secret catalogs and two Sports Illustrated swimsuit issues. We didn’t really have a ton in common beyond the fact that we both liked to party—hard—but we ended up dating for the next six months or so. Looking back on it, I probably wasn’t ready for a serious relationship at that point in my life. I mean, I don’t know if the fact that just a few hours earlier I’d been getting my cock sucked by a complete stranger while someone held a gun to her head automatically meant that my relationship with May was doomed to fail, but it probably didn’t help.""
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CAN SOMEONE PLEASE NAME 1 OTHER PERSON THAT BECAME FAMOUS AFTER GETTING THEIR GEAR FROM EBAY:

====================================
“How old is she?” said Gavin McInnes, reviewing a number of photos strewn across Mr. Richardson’s floor. “You think she’d mind if her tits are on display?”

The subject in question, Boonk, was a meth-head who finally flipped out and didn’t come around the studio anymore. “There’s something about her face,” said Mr. McInnes admiringly. This fragile blonde faun made her money in a practice known in her neck of Jersey City as boonking: She would negotiate an incredible sum of money for some preposterous sexual act inside a john’s Range Rover, then hurtle out the door before the performance could begin. Sometimes she didn’t make it. Mr. Richardson had captured her blackened panda eyes with one of the archaic point-and-shoot Yashicas he buys on eBay.

“Whatever happened to Boonk?” Mr. Richardson wondered aloud.

“She’s a born-again Christian and going to college,” said Mr. McInnes.
===================================
WHO THE FUCK USES EBAY GEAR TO DO JOBS WITH???????????????????????????

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>>3377154
uhhhhhhhh that wolf guy who shot hong kong

got me in to pee actually, still to this day my fav series
>>
Thomas Struth

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>>
how much do you think Miley Cyrus paid Terry for this video that went viral:
https://web.archive.org/web/20180201193622/http://www.terryrichardson.com/terrytv/
???

(uncensored version) Wrecking Ball:
https://www110.zip
pyshare.com/v/wg8VSDzy/file.html

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>>3377154
>post your favorite photographers
this filthy bastard
>>
>>3378380

Ouch, where is this from and who(m?) is it by?
>>
>>3377154
Moose Peterson is dope.
>>
>>3397664
lmao classic boomer choice
>>
>>3397585
lurk the fuck more newfag
>>
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Rob Bremner

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>>3397672

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>>3397684
More like smiling in the face of a 10 year old boy he's about to "accidentally" jerk off.

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>>3397667
im 23, dumbass. Sorry I like pictures of airplanes, dumb faggot.
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>>3397736
>t. that 23 year old boomer who talk about gear all day and think boomers taking animal's headshits is cool
get a load of this guy
>>
>>3397745
"post photographers you like" thread
*posts photographer they like*
"Meh you likey this? I dun like it >:( ur boomr :("
>>
>>3397754
Don't worry about it OP is a major faggot
>>
>>3378195
kys
>>
>>3397754
>>3397760
this is not your safe space, big guys
you get called out for your shit taste
see >>3378195
>>
>>3397771
He says sitting at his computer desk, dick in one hand with his room filled with cum tissues
>>
>>3377154
eva
>>
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-A Conversation Between Two Worlds-
by Gavin Mclnnes and Olivier Zahm

No art book would be complete without an analysis of the work by an erudite art critic. Since Terry Richardson is unique in his ability to take high art to jaded teenagers while simultaneously forcing the fashion and art elite to appreciate the dirtiest shit you’ve ever seen, we selected critics to represent both sides of the Richardson enigma.
In this corner we have the irreverent and retarded Gavin Mclnnes of New York’s Vice Magazine. His cultural opponent is the sophisticated Parisian editor of Purple Magazine, Olivier Zahm. Can a conversation between these two learned academics help us understand the genius that is Terry Richardson? Read and decide.
>>
I.
==================================
Gavin: One of my favorite things about Terry’s photos is the imperfections. I like seeing a zit on a girl’s ass. I think everyone does. It reminds me of that Thomas Jefferson quote, “There is not a truth existing which I fear, or would want unknown to the whole world.”

Olivier: Because Terry is shooting in an instinctive, immediate, almost physical way, he catches the smallest detail as a force, as a proof that you cannot control life. His pictures demonstrate how life and desire and sex are stronger than the typical visual construction the fashion industry insists on. The fact that he is working for this very industry adds another crucial layer. The imperfections in his photographs help take down the standard of glamour and high fashion. But more than imperfections, to me, one of my favorite things in his photos is the perfection of the frame: he is cutting the reality in a sharp, definitive, brilliant line, extracting the moment and movement of life from its vital flux. This is brilliant and unique. No other photographer is sharper in this sense.

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2.
===============================
Gavin: I never thought of the framing thing. The way he’ll zoom in on a pair of tits so close you can see there’s kind of some hairs on them. I was interviewed about him for one of these corny liberal modern sex shows and they were implying that Terry was a feminist because he was making “ugly” beautiful. l had to clarify that most of these women are still total fucking knockouts.
This isn’t some lesbian anarchist collective. They’re still the same supermodels that are on every other page of Vogue, only here, they’re making coffee with rubber boots on, or putting a tit on a watermelon. ln a way thats more subversive because you never see people like this portrayed so honestly. So yeah, you get Dennis Hopper with no blemishes removed, and then, on top of that, he has this weird close up that drives home how unusual the shot is even more. lt’s a double whammy…

Olivier: Let’s be honest. Terry’s pictures are definitely not feminist. They are as politically “incorrect” as pictures get. He is not glamorizing women’s power, beauty or strength. He is more portraying female beauty from a male perspective. Instead of trying to celebrate femininity they are focusing on the use of masculinity (his own subjective view of women) within fashion iconography.

Gavin: Most of the critics that hate him (I’m picturing sexless, lonely, thirty-something women with sandals) say hes just fucking girls, but with a camera in his hand.
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3.
=================================
Olivier: I have heard women say Terry’s work is just an expression of the typical male obsession for sex and a celebration of the camera as an extension of his phallus, but this is a very reductive definition of his work.
First, his pictures are a form of visual humor. Second, he is always sharing real emotion with his model. They are not objects or sexual props. The photos aren’t even about that. They are an experiment, an examination of the interaction between a photographer and his models in this age of media, fashion, self-obsession and narcissistic paranoia. He keeps pushing these dialectic structures (man/woman, photographer/model,
phallic/non-phallic) as far as he can until the difference between “art” and “fashion” becomes totally blurred.
You don’t know what is real and what is constructed. When the critics make it a competition and become obsessed with choosing the winner (the photographer or the model) they make it so ideological it becomes uninteresting. Terry’s experimentation is about subverting this dual structure and documenting an intimate relationship with the model. Where can he take it? Where can he take it today? What are the limits of the game? What will the viewers call fashion and what will they call art? Will they reject the images entirely and censor him? That is the experiment.

Gavin: It’s also reductive to assume it’s all about shock value. I remember when the Sex Pistols were on Bill Grundy (host of Thames Today, a London television show of the 1970s) and he accused them of swearing just to shock people. They pointed out that this is the way they talk every day. There’s no premeditation about it. They were just being honest.
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4.
=================================
Olivier: That is a crucial element of this whole thing. His pictures are totally honest. They don’t hide anything. They don’t pretend to be what they are not. In this sense they are a political statement too. It’s not pornographic because it reveals how the rest of photography today is pornographic. By having these images in a commercial context they act as a Trojan horse that transcends the original format. They sneak the viewer a moment of truth.

Gavin: When I look at art I don’t give a shit about the artist’s lifestyle but Terry is an exception to that. The whole dichotomy of lowbrow and high art comes from the ups and downs of his fucked up past.
Half his life is wealthy snobberdom. Hes the son of a fashion photographer and was born in New York but moved to Paris at an early age. It was all celebrities and travel and art until his parents’ marriage exploded after his father had an affair with a 17-year-old Anjelica Huston.
The other half of his life was about being dirt poor and playing in esoteric punk bands, getting addicted to drugs with no family around to care. It’s a weird combination of homeless orphan and uptown rich kid that you rarely see in an artist. Is he where he is today because of luck or was it his destiny?

Olivier: It’s a hard question to answer. Sometimes the images are light and have no purpose other than to amuse. Sometimes they are profound and portray love as a fissure of pain and murder. He is at once a careless street kid and a misanthropic Lacanien. They float in the limbo of rapport and are essentially a documentation of the gap between person and portrait. ls it hatred or an irrepressible jouissance? I don’t know.

Gavin: I just like laughing at poo and fantasizing about fucking the hot girls. It’s the only kind of porn I can enjoy these days.

Olivier: But Terry’s pictures are never pornographic.
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5.
=================================
Olivier: Pornography is the way sex is commercialized by a repressive machine in an isolated ghetto of pictures (on the net, in magazines, films, etc.). Pornography is an industry of repression, a collective enterprise of profit. It’s a visual industry which kidnaps sex as a product for frustrated men.
Terry is actually working against pornography because he is reintroducing desire, seduction and playful sexuality, in real life, in real time, in the studio. He is photographing sex as a real interaction between him and his model. He is not playing the scenario of sexual pornographic control and alienation. He is part of the game. We can see one arm of Terry with his watch, one hand, sometimes his body, sometimes his penis, etc. He refuses the stereotypical function of the porn picture. By placing himself in the picture he is suppressing the illusion of domination and joining the frame. It should be noted however that Terry is not trying to demystify sexuality. He’s just lightening up the whole subject and creating a more equal rapport between photographer and model. A photographer going in front of the camera is not enough, just like the factory owner from the Pasolini film ‘Theorem’ deciding to join the workers is not enough. What is required is a sacrifice like in every film of Pasolini. A sacrifice of the artist who knows that he must sacrifice himself to the system, the fashion system, the pornographic system. The artist must face it with no fear.
Pornography is not only fake, stupid and dangerous, it does not exist. It’s a pure construction, an illusion. Terry’s pictures are the opposite of that. They are deconstructing this faux veneer. That is why it’s so infuriating to hear the press call his work “porn chic” or “porn glamour”.

Gavin: Yeah.
>>
>>3377154
By any chance, did this photo inspire the 1996 French movie La Haine? The black and white, the facial expression, the gun all look very familiar to me as someone who's seen said movie twice.
>>
>>3397774
where did you get the view of 4chan?
from twitter or some other normie platform?
>>
>>
>>


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>>3398281
stop you fucking autist
it's funny for a meme or 2 but fuck you
>>
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>>3398283
who has better art than Uncle?

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>>3398283
but /p/ is so dead that the Terry pixxx are the only worthwhiles
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Fuck the Terry spammer
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>>3398341
how did terry get so filthy rich from just using small cams?????????????
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>>3398463
lol
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>>3385923
damn... what gear ?
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>>3389167
samefagg
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>>3399924
>>3400025
kys
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Certainly not a woman
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>>3400147
what is this, a list of the things you have touched?
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>>3391788
i have that hanging in my bathroom. nice
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>>3400590
THANK YOU BASED MOD
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mario testio
ted gushue
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>>3398344
His father was the famous fashion photographer Bob Richardson. He'd had his own ups and downs, and was certainly no prude in his own work, but most importantly was a personal friend of some very influential people like Richard Avedon.

Son Terry is riding on his dad's coattails in basically every respect. He took every one of his dad's less savory traits and cranked it up to 11, and got his start by asking his dad's old friends for favors to gain access to celebrities.
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sally sturges
>>
hamilton



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